Midjourney-用文字释放你的艺术创造力

不需要改变图片内容，只需要增加照片真实感

润色效果图

Chinese painting, freehand style (xieyi), title "Jian Qiu" (Picking Autumn), two small squirrels hiding pinecones on the autumn ground, simple lines, ink wash as the main tone, light ochre for squirrel bellies, brown-yellow for pinecones, light indigo for pine needles, minimalist background with blank space, warm autumn atmosphere, ecological theme: remind humans not to plunder animals' food, advocate respecting original natural scenery, oppose following trends blindly, quiet and peaceful mood, high detail in main subjects (squirrels) and low detail in background, traditional Chinese art aesthetics --ar 3:2 --style raw

< https://oc.superx.chat/img/1760194151938.jpg > 钟表上有一个电脑办公桌 有一个人在桌前办公

< https://oc.superx.chat/img/1760194486166.jpg > 钟表上有一个人在辛劳工作

为我生成一张重庆渝中区的实景照片，体现防空洞和城市的关系，以及山城的特点

minimalist floral pattern, black and white, flat vector illustration, scattered small flowers and leaves, seamless repeat tile, --style raw

Charming cottagecore style floral pattern, tiny daisies and leaves, muted pastel color palette, light and airy feeling, textile design --stylize 200 --tile

A delicate and fresh floral pattern with scattered small flowers, in soft pastel colors, seamless repeat pattern --style raw --tile

An interior view of an art gallery showing the exhibition design system in context. The wall features the dynamic line graphic extending from a large poster into the physical space. Clean, minimalist typography labels for artworks. The gallery space is white and bright, with visitors viewing the artworks. The graphic identity is consistently applied throughout the space. --ar 4:3

The Grabowski Gallery building facade at 84 Sloane Avenue, London, with a large-scale version of the exhibition poster mounted on its exterior. The poster shows a dynamic composition of intersecting lines in black, white, and fluorescent orange, with bold typography reading "PROLOGUE TO A COMMUNITY". The visual identity extends to gallery signage and window graphics. Daylight, clean architectural photography style. --ar 3:2

A monochrome newspaper ad with a gritty, textured aesthetic. The background features a large semi-tone dot pattern that creates a gradient effect. Bold, no-nonsense typography in a geometric sans-serif font. A simple arrow graphic points toward the exhibition information. The design feels both vintage and contemporary, working with the limitations of newspaper printing while maintaining visual impact. --style raw --ar 2:3

A stark newspaper advertisement for an art exhibition, using only black ink on newsprint texture. Extremely bold, oversized typography for "PROLOGUE" contrasted with much smaller artist names. A simple but powerful graphic element of one thick, gestural line cutting diagonally across the composition. The line has rough, textured edges suggesting brushstrokes. High contrast, minimalist, designed to stand out in a busy newspaper context. --style raw --ar 2:3

An art exhibition ad designed as a tipped-in card on a magazine page. The ad itself shows a deconstructed grid system with one bold arrow breaking out of the frame. The color palette is strictly black, white, and one vibrant color. Clean, geometric sans-serif typography with clear hierarchy. The design appears as a dynamic stage within the larger context of the magazine page. --style raw --ar 3:4

An exhibition advertisement in a high-end art magazine, showing a close-up section of multiple intersecting lines with different textures and colors (black, white, fluorescent orange). The lines are clean, precise, and dynamic. Minimalist typography with extreme weight contrast - the word "PROLOGUE" is very large and bold, other information is much smaller. The composition suggests a larger network extending beyond the frame. Clean, elegant, modernist aesthetic. --style raw --ar 4:5

A vibrant op art poster, hypnotic black and white concentric circles creating a strong moiré effect, with several of the circles breaking apart or distorting dramatically. Bold, minimalist typography superimposed over the graphic pattern, with the text "PROLOGUE TO A COMMUNITY" appearing to vibrate with the background. Using only black, white, and one fluorescent color for the breaking circles. Sense of optical movement and energy. --style raw --ar 96:140

A graphic design poster for an art exhibition, featuring a clean, rigorous grid being dramatically broken by a sweeping,倾斜的 diagonal rupture. Within the rupture, the grid lines become distorted and chaotic. The exhibition title "PROLOGUE" is extremely large, emerging from the ruptured zone. Artist names are set in much smaller type, forming a textured background. Stark black and white with a single fluorescent color filling the ruptured zone. Asymmetric, tense composition. --style raw --ar 96:140

A sophisticated cultural poster in modernist style, multiple lines with different textures and weights converge and intertwine in the center. One line is precise and vibrating, another is rough with brushstroke texture, a third is solid and filled with solid color. These lines represent the paths of different artists coming together. The background is a subtle, repeated texture of artist names. The title "PROLOGUE TO A COMMUNITY" appears in extra-bold sans-serif type, with a stark contrast to other information. Dynamic composition, high contrast, black and white with only two accent colors (fluorescent orange and electric blue). --style raw --ar 96:140

落日余晖的色调欧洲公园

90年代早餐车

左下角一只小鸟站在树枝上，看向卡在右上角树枝上的白色千纸鹤，小鸟旁边还有一个木板制作的鸟房子

Design a silk scarf pattern for the Hermès brand, featuring two lions standing before a palace surrounded by lush greenery and blooming flowers. Warm tones like orange and brown create a luxurious atmosphere. Flowing water and soaring birds appear in the background, showcasing an elegant and refined aesthetic that perfectly embodies Hermès' signature style. --ar 63:64